Scissor Films produces live and broadcast content for brands, entertainment companies and artists. We create the visuals, run the stream or the screens, and deliver the recap. One team from show design to the final cutdown.

Multi-camera streams for launches, shows and announcements. Studio or on location, with graphics, remote guests and a clean feed to every platform.
Content for LED walls, projection and festival stages. We design it, build it and run it to the show clock.
Lower thirds, bumpers, scoreboards, overlays and animated packages for live and broadcast use.
Unreal Engine and real-time visuals that react to the performance, the crowd or the game.
Multi-camera crews, switching and remote production for events that happen in more than one place.
Highlight reels, social cutdowns and full-length edits, turned around while the event is still trending.
The team that builds your visuals also runs them live. No hand-off between the design studio and the show.
We work back from your doors, your stream start and your set times, and tell you early what is and isn't possible.
Every piece is designed for the room and for the stream, so it works for the crowd and for the camera.
We cut highlights and social versions during and right after the event, in every format your platforms need.
Send the date, the venue or platform, the run of show and your budget range. A producer replies within one business day.
We send the creative approach, crew and tech plan, rehearsal schedule and itemized bid.
You review content and the run of show in one place. We rehearse, then run the show.
Highlight edits, social cutdowns and the full recording, delivered in the formats you need.
Send your brief, timeline and budget range. A producer replies within one business day.
We send the approach, method (LED, green screen or location), schedule and itemized bid.
You review in one place. We turn notes quickly.
Master file plus every cutdown, social version and platform spec you need.
Brand live streams, game and product launches, fan events, festival and concert visuals, and artist performances. If it plays live to a crowd, a stream or both, we can build it.
Yes. We design the content, operate the screens and run the live stream, or we work with the venue and production team you already have.
Yes. We use Unreal Engine for real-time and interactive visuals, and we content-map for LED walls and projection.
Highlights and social cutdowns can go out the same day. We plan the recap workflow before the event so footage is ready to cut as it comes in.
We quote every event case by case. Cost depends on crew size, tech, content and rehearsal time, from a single-camera stream to a multi-camera, multi-day stage production. Send us your brief and a producer will reply within one business day.
No. We are a virtual production agency: we plan and run shoots on partner stages or on location, and finish them in-house. We pick the right method for your shot, whether that's LED volume, green screen or location.
Anywhere. We work with partner stages across Los Angeles for LED volumes and green-screen work, and we shoot on location anywhere in the US.
LED volumes show the environment in-camera and reduce post time; green screen gives more control and works anywhere. We recommend the method based on your timeline, budget and the shot. Send us your brief and we will walk through both options.
Yes. We build from your brand guidelines, key art, engine captures and existing footage, and match them to the live action.
We pick the right method for the shot: LED volume, green screen or location. We work with partner stages across LA or shoot on location, bringing the expertise and the crew.
Compositing, simulation, motion graphics, editorial, color and sound. One producer, one team, one deadline.
Concept, storyboards, previs, and production design. We build the world before the shoot.
Human-directed content with AI tools for faster iteration and impossible shots, finished with VFX.
One producer quotes the job and owns the delivery. No hand-offs between a shoot company and a post house.
On location, on partner LED or green-screen stages, or a mix. We bring the method to the story, not the other way around.
VFX, compositing, simulation, editorial, color and sound under the same roof. Fast notes, fast turnarounds.
We work back from your launch date and tell you early what is and isn't possible.
Scissor Films is a Los Angeles virtual production agency. We design the shot, pick the right method for your story, run the shoot, and finish it ourselves. One team from concept to delivery.
No. We are a virtual production agency: we plan and run shoots on partner stages or on location, and finish them in-house. We pick the right method for your shot, whether that's LED volume, green screen or location.
Anywhere. We work with partner stages across Los Angeles for LED volumes and green-screen work, and we shoot on location anywhere in the US.
LED volumes show the environment in-camera and reduce post time; green screen gives more control and works anywhere. We recommend the method based on your timeline, budget and the shot. Send us your brief and we will walk through both options.
Yes. We build from your brand guidelines, key art, engine captures and existing footage, and match them to the live action.
We pick the right method for the shot: LED volume, green screen or location. We work with partner stages across LA or shoot on location, bringing the expertise and the crew.
We pick the right method for the shot: LED volume, green screen or location. We work with partner stages across LA or shoot on location, bringing the expertise and the crew.
Concept, storyboards, previs, and production design. We build the world before the shoot.
Human-directed content with AI tools for faster iteration and impossible shots, finished with VFX.
Send us the date, the format and the budget range.
A producer replies within one business day.